Author Archives: Sean Cunningham

The Thousand Names by Django Wexler

I tried flintlock fantasy a while ago and didn’t get into it. But I kept seeing Django Wexler’s The Thousand Names crop up and figured I’d give it one more go.

Now I’m hooked.

The Thousand Names is inspired by the Napoleonic Wars. Rather than the usual swords and castles of high fantasy, the soldiers of the Vordanai Colonials are armed with muskets and sabres, backed by the cannons of an artillery team. And while a great deal of the setting is hinted at in this first novel, we begin on the frontier.

The solid Captain Marcus d’Ivoire just wants to keep himself and his Colonials alive. Winter Ihernglass, a runaway, is trying to survive and keep her identity as a woman secret. When the brilliant and enigmatic Colonel Janus arrives and starts the Colonials on a dangerous journey, he challenges both their worlds.

Marcus and Winter are both great characters and a desire to keep reading about them keeps pulling me through the series – I’m onto the fourth book now and I’m definitely on to the end of the series. But the author also does a great job with Janus, slowly creating questions around him that will keep you hooked.

The first half of the book is almost straight-up historical military fiction. Wexler’s wargaming experience shows here, as his battles are crisply and confidently described. I’ve seen comments that sometimes Wexler goes into a touch too much detail at times, but I personally never found this to be the case. It all lent an air of authenticity to what I found to be exciting battles.

And then the magic creeps in: the Thousand Names. A fascinating magic system, well-realised and clearly described. Wexler keeps it small-scale, but when soldiers armed with muskets and sabres go up against those wielding magic, well, things get hectic.

I’ve been recommending these books all over the place. If military fantasy sounds like it might be your thing, if you’d like to try a setting based on a different period of our history, then try The Thousand Names.

One Month of Ghost Electricity

It’s been a month since Ghost Electricity went live on Amazon. And what a month it’s been.

I kept my expectations low. I know that I’m a brand new, unknown author with no established audience and a lot to learn. I knew it would be quiet in the beginning.

My goal was simply to get readers and reviews. I know that for marketing purposes, a few doors open for you once you’ve got 5 to 8 reviews with a good rating. My hope was to hit that mark by the time The Mortal Edge goes live in April. I was hoping to get a little word of mouth from people who liked the book.

And it’s been a heck of a couple of months at the day job, which meant there was a limit to how much time I could spend pushing the book. Ghost Electricity has, I think, been slightly neglected as a result. I would have liked to do more.

But the response has greatly exceeded my expectations.

The reviews I was hoping for, they were good. Really good. I’m very grateful to the people who took time to review the book on Amazon and Goodreads. Fellow authors reached out to me to offer me encouragement and to spread the word on their social media and in their newsletters. I can’t tell you how much I appreciate that. It was unexpected and it was a gift. And it gives me a standard of generosity to measure myself by as I continue on.

The feedback hasn’t been 100% positive, of course. You can’t write a book that will please anyone and I am still a rookie. So I’ve gone through a few ups and down, like urban fantasy author Holly Evans describes in her post Battling Self-Doubt and Over-Thinking. I expect there will be plenty more.

But for now, though I have much work ahead of me, I feel pleased with where I am. Thank you to those who read and liked Ghost Electricity. In the last month, you’ve put many a smile on my face.

Seven Things You DON’T Need to Worry About When Starting Your Novel

You’re thinking about writing but you can’t seem to start. You’re afraid to start. How do you kick yourself into action? How do you turn yourself into a war machine of wordy output?

In this post, I’ll walk you through the steps you need to take. Starting from well before you even put your first word on the page, all the way through to typing The End (or To Be Continued).

You doubt you can do it, but you can.

Don’t Worry about Fancy Software

You’re thinking, “The right tool for the right job.” What quill does JK Rowling use, and which shop in Diagon Alley did she buy it from? Where do George R R Martin’s blood-soaked words first come into the world? Maybe you’ve heard about Scrivener, or you Googled writing tools and up came thirty results all promising you that they’re the future all authors will move towards.

It doesn’t matter. Use Microsoft Word. Use Google Docs. Use a notebook from your local stationery store and a ballpoint pen from a cheap pack of ten. Whatever you have to hand. Whatever you’re comfortable writing in. That’s the right one for you.

I started with a ballpoint pen and loose lined A4 paper attached to a clipboard. It’s what I had available. These days I use Word. I tried Scrivener but it tied me to a single computer. With Word I can move between my desktop computer and a Chromebook, where I use Microsoft’s free online version of Word. I wanted the mobility and this setup does the job for me.

Don’t Worry about the Market

You think you need to write what’s in vogue right now. But that can leave you writing about something you’re not interested in. It can make writing a horrible chore. You’ll hate every minute of it.

Not long before writing this post, I read an interview with the people who run Wattpad. They have, in effect, real time data on what their users are searching for. Werewolves are growing in popularity. You could try to ride that werewolf wave.

But if the idea bouncing around in your head is a story about two tech support guys who purge haunted computers of the poltergeists that drive hapless finance departments insane by fiddling with their numbers in Excel spreadsheets, you should write that.

Because your sheer love of your topic will come through in your writing. And your reader will feel that, and enjoy your story too.

Don’t Worry about the Length

A standard novel from a traditional publisher is between 75 and 160 thousand words long. Some genres allow a little longer, or a little shorter, but that’s the general rule. And while readers do expect that length, it’s really just habit.

Because the length of novels has a lot to do with the economies of paper book manufacture. That word-count range is cost-effective for print.

But ebooks can be any length. You could write a 25 thousand word novella, upload it to Amazon and put a price of 99 cents/pence on it. That’s totally okay.

25K words isn’t so hard. If you’re just starting out, it might be a good target.

Don’t Worry about the Opening

You have to hook your reader from the first sentence, you’ve been told. If you don’t get it right, the reader will drop your book at the first full stop. So you don’t start until you have that perfect first sentence. They make lists of the best first sentences in novels. You want to be on that list.

Don’t do that.

Start with a couple of characters and a scene. That’s it. Ideally, have a conflict between the two characters. You might know these characters well or they might just be silhouettes. You might know how the scene plays out. You might find out as you go.

You’re in the discovery phase when you start. You’re learning about your characters, your setting and your story. So start and discover. You can change it later in the editing stage, if it needs it.

For example, when it came time to edit the first draft of Ghost Electricity, I swapped chapters 1 and 2 around, then rewrote the opening from the other character’s point of view. I needed to see it on the page to know it needed doing.

Don’t Sit Down to Write Without Knowing What’s Next

If you sit down at your computer, open up your work in progress and only then ask yourself, “What’s next?” you’re going to struggle.

That ten minutes you spend sitting there wondering what’s next will be awfully disheartening. You will feel like you’ve got nothing to say, like you’re not going to make it at this writing thing, like you’ll never get to the end of your novel.

Instead, at various times during the day, think about what comes next. Remind yourself why your story excites you. Think about it on your commute or while you’re waiting in line for coffee. If all else fails, jump in the shower right before you start writing and think about it then.

That way when you sit down to write, you’ll hit the ground running.

Don’t Talk Yourself Out of It

At some point when writing a novel you’re going to think, “This is crap. I should give up.”

Every writer thinks this somewhere in their novel. Usually a few times. Just keep going. When you come back to it in the editing stage, you’ll probably find it’s not as bad as you feared. The scene your thought was terrible may work. It may need some tweaking. It may need replacement. None of these things is a reason to give up.

Don’t abandon your novel. Keep going.

Don’t Stop Until the End

You will be tempted to go back and fix or change something as you write your first draft. Maybe you changed your mind on a plot point. Maybe you want to drop a minor character.

Don’t do it. Your job when writing the first draft is to get to the end. If you change your mind on anything at all, just pretend you started that way and keep going. Keep that momentum.

Get to the end of the novel. It’s the most important thing you can do when you’re writing your first draft.

Conclusion

Writing a novel takes time. It takes work. It takes commitment. But like many things, it’s just a matter of getting yourself going. If any of the above fears – or all of them – are stopping you, now you know what you can do about it.

So don’t worry. Get writing and find out where your story is going to take you.

Never Mess with a Robot Rhinoceros

Transformers Beast Wars was a show that surprised me.

It was a show for kids. But the writers went to some trouble to ensure can also be enjoyed by adults. With memorable characters, villainous infighting, clever plots and references to the old 80s cartoon that us now-adult Transformers fans could pick up, it was a show that drew me in.

The graphics have not aged so well.

And the episode that got me was Dark Designs, in which the good guy Rhinox is captured and reprogrammed to be a bad guy.

It sounds like a preachy storyline intended to teach children a lesson in loyalty and being true to yourself, doesn’t it? I certainly thought so the first time I saw the start of it. I switched it off. But the second time it came on I gave it a go and it both surprised and delighted me. Because when Rhinox is captured and his friends find out he’s been reprogrammed, they don’t rush in to save him. Their leader, Optimus Primal, decides to wait.

He knows Rhinox. He thinks Megatron’s bitten off more than he can chew this time.

Rhinox’s Holy Chainguns of Primus +50

The series establishes Rhinox as the engineer, short on words and slow to anger. But when he does let his temper show he does so with his two mighty Chainguns of Doom. When Rhinox is reprogrammed into a Predacon, he really does become a Predacon. He decides he wants to be in charge and starts taking out all the others.

He’s become the worst of the lot. He’s being true to his new self.

The episode ends with Megatron himself turning Rhinox back into one of the good guys. If there’s a lesson for children in the episode it’s “Be careful what you wish for” or maybe “Never mess with a robot rhinoceros.” Disney this is not.

Never mess with a robot rhinoceros

When I first heard about Beast Wars my reaction was “What? Optimus Prime is a gorilla? Ugh!” But Beast Wars was inventive and fun and a wonderful return for me to a childhood hobby I hadn’t realised I still loved. The writers of Beast Wars knew I was out there, a twenty-something computer programmer who was still up for some robot mayhem. They were clever enough to make a show the Transformers fan in me could enjoy. I watched all three seasons.

They turned Rhinox into a bad guy and it worked. I wish I’d been there when they thought that one up.

Ghost Electricity – Out Now on Kindle and KU

 

Ghost Electricity is out now as an eBook on Amazon and in Kindle Unlimited, with a special new release price of 99c/99p.

Set in modern-day London, Ghost Electricity is a story blending history, fantasy and epic adventure. Julian, a warlock; Rob, a werewolf; Fiona, a girl with a monster in her shadow; Jessica and her automatons – each of them is just looking to make their way in the world. But the world has other ideas. From getting jumped by vampires on the way home from the pub, for these guys “just trying to get by” gradually escalates into a danger that threatens all of London.

I had the idea for these characters for quite a while before I started writing their story. At first they just sat in my head, doing nothing no matter what I came up with. But then my brother, who came over to the UK a year before me, told me that he was planning to move back to Australia permanently. Having a family connection here in England had become important over the years we were here. I knew I’d miss him once he was gone.

And then I had the story: of four isolated young men and women finding each other. While fighting vampires and other monsters that lurk in the dark.

London is rich in inspiration. The lost rivers that were gradually paved over. The shape of the Roman city of Londinium, still visible in the street layout even today. The companies that built the city’s train network, now remembered, if at all, in the names of the different London Underground lines. The Great Fire – did you know it took days to cross the city?

And the story of what the city has done over the millennia with its dead. The plague pits. The church graveyards packed and re-packed with coffins. The Victorian entrepreneurs who built the city’s circle of vast cemeteries. The London Necropolis Railway.

But a story has to be about its characters. Rob and Julian, Fiona and Jessica, they have rich inner lives and intricate backstories. You’ll get to know them more as you turn the pages and I hope the more you learn, the more you’ll want to know. They are each on an important journey of their own. But, like all journeys, it’s better in good company.

Ghost Electricity is the first book in The Hawthorn Chronicles. I have many more adventures planned for the tenants of Hawthorn House. Those adventures begin here. I hope you’ll come along for the journey.

Ghost Electricity Available for Pre-Order

Ghost Electricity, the first novel in the Hawthorn Chronicles, is now available for pre-order on Amazon Kindle.

It’s been a long journey to get here – longer than I expected when I first started writing the adventures of Rob, Julian, Fiona and Jessica. I’ve learned a lot along the way, about writing as well as publishing. I have a lot of both left to learn.

But for now, it’s good to be here. I hope you’ll give it a look and like what you find.



5 Reasons Why Every Author Should Keep a Notebook

In the age of mobile phones, everyone has a note-taking device in their pocket. Every note you take is uploaded and stored online and never lost. There are many free and paid note-taking and organising apps. You’ll find one that suits you in the Apple or Android store.

It’s convenient. It’s instantly backed up. It’s with you wherever you go.

But you should still have a notebook.

I used to keep all my notes in Evernote. Now I’ve converted to a physical notebook. A notebook does not replace the note-taking capacities of a phone, but it does greatly augment it. Here are 5 reasons why you should give pen and paper a try.

1) The Notes App Black Hole

You found a link you like. Maybe it was then-and-now photos of London. Or it was the effects of a specific poison. Or the lyrics of a song you found interesting. “I’ll want that later,” you thought. So you copied it into Evernote.

And never saw it again.

Unless you are frequently in the habit of scrolling through your notes app, it is a hole into which ideas fall and never return. Like they’ve fallen right out of the universe.

But when you write in a physical notebook, you create an index page where you list the title and page number of everything you put in there. Eg:

126 – Eternal Fascism

128 – Leviathan in Mythology

131 – What Jobs to UK Workers Actually Do?

You can run your eye down this list and recall the interesting, weird and wonderful things that caught your attention. The Bullet Journal link above suggests leaving a few pages blank at the front of the notebook. This didn’t work for me. I put mine at the back, so it can get as long as it needs to.

And if you come across random sentences or paragraphs that you like, do what I do: have a page titled “Scribbles” and jot them down for later.

2) All in One Place

Maybe you’ve tried this before and you hit the Too Many Notebooks wall. You know, one notebook for research notes, another for story drafts, another for blog posts. You can’t use the same notebook for different things because how can you make notes on “How to Optimise Facebook Alerts” when you’re only halfway through planning out a story idea featuring whisky bootleggers and mermaids?

It’s easy.

Use the Bullet Journal concept called threading. This is another reason to number your pages. Stop making notes on your whisky bootleggers on page 50. Write about Facebook alerts on pages 51 and 52. Resume the bootlegger/mermaid action on page 53.

And then, on page 50, in the bottom margin, put an arrow pointing forwards through the book and the number “53”. On page 53, in the bottom margin, put an arrow pointing back through the book and the number “50”.

As you page through the book, you can follow the thread of one topic when it jumps over another.

You can even switch to a different colour pen when you go from topic to topic. I don’t do this, exactly, but if I’m ever scribbling fiction in my notebook I try to use a blue pen, while using a black pen for everything else.

3) Space and Time

Handwriting activates the parts of your brain involved in thinking and memory. The act of writing also creates spatial relationships between memories as you create them. This will help with recall.

Have you ever heard of the method of loci? Maybe you know it by its more modern name: memory palace. It involves associating ideas with locations in your mind to aid recall. The ancient Romans and Greeks used it.

Make your notebook your memory palace.

4) Makes you Think

“But writing is slow and tedious!” you say.

Yes. Yes it is. That’s the point.

Because it’s slow and tedious, you will try to find economical ways to phrase what you’re writing. You’ll pare it down to the minimum. You will, in other words, have to understand it. You’ll apply your critical-thinking claws to the idea’s soft underbelly. You will chew the idea into a tasty concept that your brain enjoys digesting.

Typing encourages verbatim notes. Handwriting encourages mental engagement.

5) The Warm Glowy Pleasure of Full Notebooks

There is a simple pleasure in a stack – even a small stack – of full notebooks. You can look at that stack and think, “Hey, that’s a lot of thoughts.”

When you start a new notebook, put the start date at the top of the index page. When you finish it, add the finish date beside it.

Grin a little bit. Go ahead. It’s awesome.

Don’t Delete your Notebook App Yet

Which is not to say you shouldn’t make notes on your phone. You might be standing in a queue at the falafel stall at the food market and the Lorde cover of Everybody Wants to Rule the World starts playing on the falafel maker’s Spotify and it triggers an idea for a scene with the mermaid and her cave of hoarded whisky and the person in the queue in front of you probably won’t be cool with you using their back to steady your notebook while you scribble in it.

Probably.

So tap that idea into your phone with your thumbs and order your falafel. But don’t let that be the end of it. Later, shift it over to your notebook. I’ll bet you your next falafel that what you write in your notebook is longer, more fully formed and much more satisfying than whatever you thumbed into your phone.

For that “Got to get it down now” scenario, I use Google Keep. It’s quick and easily accessible on my phone. But I regularly scour my Keep notes and transfer what I find into my physical notebook. And once they’re in there, they tend to attract more words. More ideas. More connections.

And later, when you need it, you’ll still remember that idea. Maybe not the full details, but enough to know that it’s time has come. You’ll open your notebook to the index, then flick through to the numbered page where you scribbled it all down, interpret your handwriting and think, “Yes, that’s right. I remember it all now.”

Ticking Towards Publish

Behind the scenes, things are moving well towards the moment when I click on Publish for the first time and Ghost Electricity goes out into the world. There should probably be a bell tolling when it happens, or something else suitably ominous.

Book Progress

Right now, Ghost Electricity is in the final stages of ebook production. I’m working with a cover artist on the cover and finalising all the bits of a book that aren’t actually the story. Soon the doors will roll back and it will clank out into the world to wreak wordy havoc.

The Mortal Edge is in the late stages of editing. I’ve worked through my editor’s feedback and generated over a dozen more tasks for things that need fixing. This is what I get for writing a story with so many moving parts. It’s on track for release next April.

The third book, provisionally titled Immortal Make, has also returned from receiving a thorough thrashing at the benevolent hands of my editor and awaits my attention. The feedback was positive, which means I have plenty to do on it, rather than many plenties. I’m looking forward to getting to it, but it’s well down the queue, after…

The Clock Strikes, a novella set between the first and second books. While it will be on sale, I will also offer it as a thank you for signing up for my newsletter. The first draft of the novella is complete and it’s ready to be tipped into the maw of my editing process. I don’t have a release date for it, but I’ll get started on editing it very soon.

Future Plans

The Hawthorn Chronicles is planned as a series, with three more books in various stages of planning after Immortal Make. I don’t expect to publish the first of them until the end of next year, but I’ll have a better idea once we get into 2018.

I also have a series of novellas in mind, tentatively titled Dragon Century, to fill in some of the backstory for the main novel series. They’re at the bare beginnings of the planning phase and so far don’t have a slot.

Words in the Wild

I’m really looking forward to when I start sending these stories out into the world. It’s been a pretty interesting process, learning all the ins and outs of being an indie publisher, though I know I have plenty more to learn once I click Publish.

More to come soon.